Après les expériences positives passées, je n’ai pas pu résister à la tentation d’organiser un stage d’orchestre de clarinettes cette année: du jeudi 26 septembre au dimanche 29 septembre 2024.
La décision d’organiser ce stage au Tessin s’est imposée à moi comme une évidence 😄
Le répertoire va de la musique orchestrale aux sons de la musique de chambre, de la musique du monde à un véritable son de big band de clarinettes:
Dopo le positive esperienze passate, quest’anno non ho resistito alla tentazione di tenere un corso per orchestra di clarinetti: da giovedì 26 settembre a domenica 29 settembre 2024.
La decisione di organizzare il corso in Ticino è stata per me piuttosto ovvia 😄
Il repertorio spazierà dalla musica orchestrale alle sonorità della musica da camera, dalla world music ad un vero e proprio sound da big band di clarinetti:
Nach den bisherigen positiven Erfahrungen konnte ich auch in diesem Jahr der Versuchung nicht widerstehen, einen Klarinettenorchesterkurs zu geben: Donnerstag, 26. September bis Sonntag 29. September 2024.
Die Entscheidung, den Kurs im Tessin durchzuführen, lag für mich auf der Hand. Das Klima im September sollte dort noch mild sein (zumindest habe ich es so bestellt 😄).
Das Repertoire wird von Orchestermusik bis zu kammermusikalischen Klängen, von Weltmusik bis zu einem satten Klarinetten-Bigband-Sound reichen:
Strange Humors (John Mackey) for Clarinets and Percussion
Birdland (Joe Zawinul, arr. Jérôme Naulais)
Die Noten werden Anfangs Juli verschickt.
Bei den Endproben und dem Abschlusskonzert werden wir von einem raffinierten Schlagzeuger begleitet. Es würde mich freuen, Euch in der Sonnenstube zahlreich zu begrüssen!
Si annuncia squisitamente originale la decima edizione de L’Estro armonico, rassegna di primavera dell’associazione 753 ArteBellezza presso la chiesa di San Biagio a Bellinzona. L’associazione con sede a Bellinzona mi ha incaricato di allestire il programma dell’edizione 2024, con le mie composizioni a fare da filo conduttore.
Domenica 25 febbraio alle 17:00 mi esibirò in solitaria con “Clarinetto d’improvviso… e l’aria creò il suono”, un programma di proprie composizioni ed improvvisazioni ai clarinetti, prendendo spunto da stili differenti: dal jazz alla musica popolare, dal barocco al gregoriano, dalla world music al pop; il tutto per una miscela di timbri e gusti personali. Un momento per ascoltare, contemplare, meditare, soffermarsi, rimanere…
Domenica 3 marzo alle 17 Grazia Galletta e Michele Masserano, entrambi al pianoforte, eseguiranno celebri pagine di W.A. Mozart, Johannes Brahms e Antonin Dvorak. Questo concerto avrà luogo a Spazio Aperto, Via Gerretta 9A, Bellinzona.
Domenica 17 marzo alle 17:00 ospiteremo due musicisti virtuosi di casa nostra: Gábor Barta al violino (Orchestre de Chambre de Lausanne) e Mattia Zappa al violoncello (Tonhalle-Orchester Zürich), entrambi di formazione classica e nel contempo abili improvvisatori. In programma pagine di J.S. Bach, Reinhold Glière e Gábor Barta. I musicisti eseguiranno inoltre “Equinozio d’autunno”, Suite commissionatami dieci anni fa proprio da Mattia Zappa, allora direttore artistico dei “Concerti in San Martino”. Per l’occasione, ho arrangiato le parti di clarinetto per il violino.
Domenica 21 aprile alle 17:00 è la volta di “Orgelwind”, con il sottoscritto e Ivan Tibolla all’organo. Il vento del mantice che si mescola al fiato dei clarinetti per una miscela e un impasto unico. Influenzata da stili diversi, questa formazione ha un linguaggio con un tocco jazzistico, che tuttavia rivela la formazione classica dei due interpreti. Dopo “Orgelwind” del 2015, è del 2021 la pubblicazione di “CheRoba in due”, album maturato durante la pandemia, sotto la spinta di una riflessione sul valore della presenza e dell’assenza. Il lavoro è stato tra l’altro presentato a “MusicaViva” su Rete Due. Oltre a brani dei musicisti, ascolteremo pagine di Claudio Monteverdi, G.B. Mantegazzi, A.R. Luciani e George Gershwin.
Tutti i concerti sono ad ingresso con offerta libera. Sarà un piacere incontrarvi a Bellinzona, un caloroso saluto e a presto!
🐉 Embark on a musical journey through the mystical realms of Swiss folklore with the composition “Curéija du drèisc” by Sujazzstiva – a piece of music inspired by the legendary story “The Dragon of Lago Retico”. In this captivating piece, notes interweave reflecting the ancient story of a fearsome dragon that dwells high above the Blenio Valley.
You find this composition on my latest album “Sujazzstiva”. The music is available as Limited Edition Compact Disc. Drop me a note if you would like to buy a CD. It comes with a booklet, that contains photos of the musicians taken during the recording days in Winterthur and the short story of each track – so, hurry up!
🎹 Join us on this musical odyssey, where Marco Santilli’s composition breathes new life into the legend “The Hunchbacks of Piumogna” (I gobbi della Piumogna), echoing through the historic walls of San Nicolao Church in Giornico. Whether you are a music enthusiast or a folklore lover, this performance promises to be a soul-stirring experience, blending tradition and innovation in a celebration of Swiss Italian heritage. Music of the album “Sujazzstiva“, co-produced with Swiss Radio SRF2 Kultur.
This musical journey began in the summer of 2023 when they embarked on the creation of the ‘Repetita iuvant’ suite, commissioned by the prestigious Vincenzo Vela Museum.
The suite, consisting of five movements, serves as a heartfelt tribute to the profound connection between music and art, transcending the need for words. Noteworthy pieces such as ‘Loquor ergo sum’ and ‘Horror vacui’ act as poignant counterpoints, weaving a narrative of expressive beauty. The musical notes within this composition are dedicated to the art of synthesis and the essential silence that fuels contemplation. Marco and Peo explore the synergy of written notes and improvisation, presenting a repertoire that showcases the dynamic interplay between their instruments.
Experience the unique magic of the clarinet-guitar duo, a transparent and essential formation boasting a high ‘dynamic range.’ Join us as we present moments of musical brilliance, where every note resonates with emotion and creativity.”
Explore the captivating interview with Marco Santilli (available in Italian language only), where he delves into his strong ties with the Leventina region and the inspiration drawn from Swiss fairy tales. Uncover the musical odyssey that led him from childhood melodies to creating unique compositions, and his commitment to authenticity in the realm of art. Download the pdf version of the article, Anno 48-Nr. 453, January 2024.
Here a brief English summary
Marco Santilli, despite residing abroad for 36 years, maintains a strong connection with the Leventina region, regularly returning to his roots. He reminisces about his upbringing in Giornico, a unique village where each area holds memories close to his heart. Marco reflects on his move to Zurich after attending the School of Commerce in Bellinzona, emphasizing the city’s central location and diverse musical opportunities.
His musical journey began in early childhood, starting with popular songs and later exploring instruments like the recorder and the clarinet. Influenced by jazz clarinetist Benny Goodman, Marco embraced the path of music and improvisation. In his artistic endeavors, Marco aims to offer audiences something captivating and unique, focusing on original compositions and unconventional arrangements.
Recently, Marco delved into Swiss Italian fairy tales, incorporating them into his compositions for the nonet ensemble. He also finds inspiration in the rich narratives of Val Leventina, resulting in the creation of the concept album “Sujazzstiva”.
Addressing the notion of fame, Marco expresses no fear, as his niche projects prioritize artistic satisfaction over commercial success. He emphasizes the importance of staying true to his artistic vision and resisting mainstream influences.
Looking ahead, Marco shares plans for upcoming concerts, albums, and projects, including solo performances, new collaborations and the production of new albums. He concludes by expressing the need for continual self-improvement and learning in the ever-evolving world of music.
